Eugène Delacroix and the Rise of Modern Art
National Gallery, London
Till 22 may 2016
"We all paint in Delacroix's language" (Paul Cézanne)
Eugène Delacroix, irreducible rebel, enigmatic and extravagant. Few artists have had over him...
Black fire: material and structure concerned and after Burri
Salone delle Scuderie - Pilotta Palace- Parma
From Dec 21 2014 to Mar 29 2015
What remains today in art's memory about the great Umbrian artist?...
The colorful petals flying into The Oasis of Matisse
Stedelijk Museum, Amsterdam
27 Mar - 16 Aug 2015
Stuck at home Matisse decided to “bring a garden into the house”, turn walls into Vence’s...
Norman Rockwell: American Chronicles
Sciarra Palace- Roma Museum Foundation
From November 11th to February 8th
The entire collection of original covers of the magazine "The Saturday Evening Post...
The Metamorphoses of Paul Gauguin at the MoMA, New York
MoMA, Museum of Modern Art, New York City
March 8 to June 8, 2014
Although Gauguin (1848-1903) is best known as a pioneer of modern painting,...
The Masterpieces of Turner, Reynolds, Hogarth, Constable, the modern eighteenth century...
Sciarra Palace - Museo Fondazione of Rome
From 15th of April until 20th of July 2014
One hundred works are displayed in the exhibition Hogarth, Reynolds,...
Renato Guttuso provocative in London: Painter of Modern Life
Estorick Collection of Modern Italian Art, London
14 January – 4 April 2015
The prestigious “Estorick Collection” (founded by the American sociologist and art collector), celebrates...
Enigma Escher, alchemy of magic and game
Chiostro del Bramante, Rome
from September 20, 2014 to February 22, 2015
“We don’t know space – says Escher – we don’t see it,...
Henri Rousseau docks in Venice lagoon with Archaic candour.
Palazzo Ducale – Doge’s Apartment, Venice
March 6 – July 5, 2015
“Nothing makes me so happy as to observe nature and to paint what I...
Alberto Giacometti. The surrealist sculptor of energy
Gam of Milan, Modern Art Gallery
Ending February , 1 2015
Alberto Giacometti (1901 – 1966) has reconsidered the solid and static sculpture as a...
